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© 2008 marc alperstein


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Exhibitions
» new works /06
» falling down /05
» Untitled /04
» Driver Passenger /03
» Drawing /03
» Wren 2nd Bday /03
      collaborative works: Marc Alperstein and Amélie Scalercio

image: Zack Musarsa

Artist statement:

Collaborative practice that seeks to document a conversation or argument that exists between two wills
struggling to impose their presence - their mark into an act. It is necessary that these works engage in
collaborative practice to record the struggle that ensues in this dynamic exchange, one that could not exist
if operating in solitude.

With an emphasis on process, the artists set out to work simultaneously on a piece using set structures
which allow for individual variation yet curtail the realisation of subjective intention. Through this process
neither participant can claim any personal ownership for any mark created, as both artists have been
directly and indirectly involved. What results is an argumentative dialogue and a lack of control that forces
compromise between the artists. Through this restriction a form of 'freedom' is established that allows
neither artist to create a subjective response, attempting to dissolve the subject/object duality that is still
prevalent in Western art. In these collaborative works the process takes priority over the final outcome of
the work.

Paths
Works are produced via a voice command that later employs the visual limitations of a grid and selected
variable paths. In 100 moves a "blind" drawing is initiated, sustained and finished through the exchange of
commands between the two operators. Each move surrenders ownership to the next giving way to a
freedom within the restrictive elements that could not exist with a singular commander. Reliant on this
process, the outcome cannot be envisioned and does not exist until after the event has unfolded verbally
and subsequently transferred into a visual translation. [selected works]

Commands
Exploring the idea of ownership of an act through various commands, the works document actions that
arise out of instructions given by each artist to the other. The instruction's outcome is inevitably restrained
by the physical ability and bodily restraints of the receiver. The choice by the receiver to undertake the
required task results in the commander losing ownership and authority of this action causing the explicit
instruction to become uncontrollable in its outcome. [selected works]

Drawing performance

Collaborative drawings are produced via the two artists working simultaneously, wrists bound together, on
a single piece. Using pencils, textas, pastels, crayons, and charcoal as an extension of the artist's hand,
the works create a clear indication of the mark making process that occurs in the creation of the work. The
process, the binding of the artist's wrists, invokes a physical struggle for the individual to make their mark
on the paper/surface. [selected works]